{"id":46117,"date":"2014-08-06T23:15:59","date_gmt":"2014-08-06T23:15:59","guid":{"rendered":"http:\/\/mostafa.openonline.co.uk\/?guid=59e08887733323bf8ec7889ad8c671c3"},"modified":"2014-08-06T23:15:59","modified_gmt":"2014-08-06T23:15:59","slug":"press-release-uk-music-exports-hit-a-high-note-with-government-support","status":"publish","type":"post","link":"https:\/\/mostafa.openonline.co.uk\/?p=46117","title":{"rendered":"Press release: UK music exports hit a high note with government support"},"content":{"rendered":"<div class=\"govspeak\">\n<p>Fifteen talented British music acts to receive financial support for touring overseas.<\/p>\n<p>British music companies behind some of the UK\u2019s most hotly-tipped artists are to receive government funding to support the promotion of the nation\u2019s music around the world. <\/p>\n<p>Award-winning multi-instrumentalist, Imogen Heap, and the support band for AC\/DC\u2019s famous Black Ice World Tour, Belfast\u2019s The Answer, are amongst the artists signed to independent labels who will benefit from funding being made available through the <a rel=\"external\" href=\"http:\/\/www.bpi.co.uk\/export-scheme.aspx\">Music Export Growth Scheme<\/a>.<\/p>\n<p>The Music Export Growth Scheme has been established by UK Trade and Investment (<abbr title=\"UK Trade and Investment\">UKTI<\/abbr>) and the <a rel=\"external\" href=\"http:\/\/www.bpi.co.uk\"><abbr title=\"British Recorded Music Industry\">BPI<\/abbr><\/a> (British Recorded Music Industry) to help small and medium-sized independent music companies increase international sales.<\/p>\n<p><abbr title=\"UK Trade and Investment\">UKTI<\/abbr> Chief Executive Dominic Jermey said:<\/p>\n<blockquote>\n<p>The British music scene is brimming with talent and around the world UK acts are helping to sell out festivals this summer, from London Grammar at South by South West in the United States to Portishead at Melt! in Germany to Tom Jones back home at the British Summer Time festival.<\/p>\n<p>Through the Music Export Growth Scheme we are helping a new generation of upcoming British talent to capitalise on this success and make their mark in countries around the world, bringing jobs and growth to the UK economy.<\/p>\n<p class=\"last-child\">I am pleased that acts who we have already supported such as Public Service Broadcasting and the Crookes are really benefitting from our support and growing their international fanbase.<\/p>\n<\/blockquote>\n<p>The announcement comes as new figures released by the <abbr title=\"British Recorded Music Industry\">BPI<\/abbr> show that independent companies continue to enjoy great success in the recorded music market. In the first half of this year (2014), independent artists accounted for more than a quarter (27.4%) of all album sales, up 2% year-on-year on the 2013 figure (25.4%). This follows on from a strong year for independent repertoire in 2013 where the share of album sales from indie labels tallied 25.1% &#8211; the sector\u2019s highest level in many years &#8211; thanks to the popularity of acts such as Arctic Monkeys, Passenger and London Grammar.<\/p>\n<p>Chris Tams, <abbr title=\"British Recorded Music Industry\">BPI<\/abbr> Director of Independent Member Services, said:<\/p>\n<blockquote>\n<p>Landmark albums and popular records from the canon of British music continue to form a strong core of UK music sales around the world. And in recent years we have started to witness more artists from the independent community top the charts and perform sell-out shows on the international circuit. The Music Export Growth Scheme has a role to play in this success and we are already seeing an encouraging return on the investment made by the government, as bands embark on tours with iconic bands like The Rolling Stones and the Manic Street Preachers.<\/p>\n<p class=\"last-child\">It\u2019s great to see our first 2 Northern Irish acts make the short-list in this round of funding and we are calling on more great talent from across the nations to apply. It\u2019s an invaluable funding opportunity for developed UK acts and one which can help to springboard them from a local name to global fame.<\/p>\n<\/blockquote>\n<p>Just over \u00a3250,000 will be provided to independent music companies representing artists who span a cross-section of genres including alternative\/rock, electropop, dance, hip hop and soul music:<\/p>\n<ul>\n<li>Antlered Man (from London), and Black Moth (Leeds) (touring jointly), signed to London-based New Heavy Sounds<\/li>\n<li>Dry The River (London), signed to Stephen Budd Management (London)<\/li>\n<li>Fearless Vampire Killers (London) signed to Wiseblood Management (London)<\/li>\n<li>Fenech-Soler (Kings Cliffe, Northamptonshire), signed to Fwinki Music (London)<\/li>\n<li>Fink (Brighton), signed to ATC Management (London)<\/li>\n<li>GHETTS (London), signed to Disrupt LTD (London)<\/li>\n<li>Hadouken (Leeds), signed to ATC Management (London) <\/li>\n<li>Imogen Heap (Essex), signed to Megaphonic Ltd (Essex)<\/li>\n<li>Max Cooper (originally from Belfast), signed to Agency X Artist Management (London)<\/li>\n<li>Smoove &amp; Turrell (Newcastle), signed to Jalapeno Ltd (Brighton)<\/li>\n<li>The Answer (Belfast), signed to TAP Music Ltd (London)<\/li>\n<li>The Heavy (Bath), signed to Redlight Management (Bristol)<\/li>\n<li>The Wombats (Liverpool), signed to SB Management (London)<\/li>\n<li>The Wytches (Peterborough), signed to Raygun Music (Brighton)<\/li>\n<li>Waylayers (London), signed to Merrington Music Management (London).<\/li>\n<\/ul>\n<p>One of the successful bands, Waylayers, spoke of the importance of the funding: <\/p>\n<blockquote>\n<p class=\"last-child\">We flew back from South by South West on a wave of incredible publicity, but the financial burden was steep. Every cloud has a silver lining, but it is sometimes difficult to get that exchanged at the Mint! This support secures our debut US tour so we can capitalise on our chart success, and reach our American fans. We\u2019re proud to represent UK music abroad and grateful for the belief that the <abbr title=\"British Recorded Music Industry\">BPI<\/abbr> and <abbr title=\"UK Trade and Investment\">UKTI<\/abbr> have shown in us.<\/p>\n<\/blockquote>\n<p>Damo Holmes of Antlered Man further explained what the funding meant to his band: <\/p>\n<blockquote>\n<p class=\"last-child\">Even though it\u2019s much easier in this day and age to download libraries of music at the touch of a button, it\u2019s become much harder for musicians and bands to travel and actually take that music directly to the music fans\u2019 faces and ears. But with the help of the organisation <abbr title=\"British Recorded Music Industry\">BPI<\/abbr>, this funding helps us do this and also keeps us inspired to keep on doing what we love more than anything on this tiny planet.  Plus you can\u2019t download the feeling of seeing your favourite band 10 feet in front of you, but I\u2019m certain the guys in the white coats are working on it.<\/p>\n<\/blockquote>\n<p>The financial assistance has been provided by <abbr title=\"UK Trade and Investment\">UKTI<\/abbr> and forms part of efforts to get another 100,000 small and medium-sized businesses exporting. The creative industries have been identified as one of the fastest-growing sectors of the UK economy with the music industry contributing \u00a33.5 million to the Exchequer per year.<\/p>\n<p>Earlier rounds of funding from February and May 2014 have seen more than \u00a3500,000 distributed to support the careers of Metronomy, Young Fathers, Slow Club, Public Service Broadcasting and Holy Mountain. As a result of the grant, bands have been able to secure touring slots with The Rolling Stones and Manic Street Preachers while others have gone on to agree publishing, sync, and distribution deals around the world. <\/p>\n<p>John Kennedy, Chair of the Music Export Growth Scheme, said:<\/p>\n<blockquote>\n<p class=\"last-child\">As we announce the results of our recent round of funding and move to our new invitation for applications we are beginning to see the results of this commitment by the government to our industry. We are seeing the money being successfully used as seed money to launch or build on international careers, whether by way of sales or synchronisation licences, live appearances, expanded profile or strategic promotional activities &#8211; indeed the variety of uses that successful applicants are making of the funds is itself a testament to the innovation that these grants can drive, enhance and encourage.<\/p>\n<\/blockquote>\n<p>The initiative will make up to \u00a32.5 million of grants available over a 2 and a half year period. It was announced in October 2013 at a Number 10 meeting with music executives chaired by the Prime Minister David Cameron.<\/p>\n<p>The scheme will re-open for applications on Tuesday 12 August 2014.<\/p>\n<h3 id=\"notes-to-editors\">Notes to Editors<\/h3>\n<ol>\n<li>Companies are eligible to apply if they are a UK-based music company with a turnover of less than \u20ac50 million and fewer than 250 employees, as per the EU definition of an <abbr title=\"small and medium-sized enterprise\">SME<\/abbr> (small and medium-sized enterprise).<\/li>\n<li>The decision to fund a band is made by an industry panel. Applications are reviewed by the <abbr title=\"British Recorded Music Industry\">BPI<\/abbr> and <abbr title=\"UK Trade and Investment\">UKTI<\/abbr> and those successfully shortlisted based on the eligibility criteria are considered by a panel of music industry experts, chaired by John Kennedy <abbr title=\"Order of the British Empire\">OBE<\/abbr>. The panel draws on the marketing expertise of a number of organisations including the Music Managers Forum (<abbr title=\"Music Managers Forum\">MMF<\/abbr>) and the Association of Independent Music (<abbr title=\"Association of Independent Music\">AIM<\/abbr>) as well as representatives of independent record labels and <abbr title=\"British Recorded Music Industry\">BPI<\/abbr>.<\/li>\n<li>The selection panel considers each application on success of artist\/project in UK, traction of artist\/project in the target market, the quality of marketing plan or campaign, the cost effectiveness of the funding, the revenue streams identified and the income projections.<\/li>\n<li>UK Trade and Investment (<abbr title=\"UK Trade and Investment\">UKTI<\/abbr>) is the government department that helps UK-based companies succeed in the global economy. <abbr title=\"UK Trade and Investment\">UKTI<\/abbr> also helps overseas companies bring their high quality investment to the UK\u2019s economy \u2013 acknowledged as Europe\u2019s best place from which to succeed in global business. <abbr title=\"UK Trade and Investment\">UKTI<\/abbr> offers expertise and contacts through its extensive network of specialists in the UK, and in British embassies and other diplomatic offices around the world. <abbr title=\"UK Trade and Investment\">UKTI<\/abbr> provides companies with the tools they require to be competitive on the world stage. For more information on <abbr title=\"UK Trade and Investment\">UKTI<\/abbr>, visit <a href=\"https:\/\/www.gov.uk\/government\/organisations\/uk-trade-investment\">www.gov.uk\/ukti<\/a>.<\/li>\n<li>\n<abbr title=\"British Recorded Music Industry\">BPI<\/abbr> represents the UK\u2019s recorded music industry, which is one of the most exciting and thriving music sectors in the world. British artists account for 1 in 8 albums purchased by fans around the globe. As a trade body, <abbr title=\"British Recorded Music Industry\">BPI<\/abbr> champions the interests of their membership which includes more than 300 independent music companies and the UK\u2019s major record companies. Together, <abbr title=\"British Recorded Music Industry\">BPI<\/abbr>\u2019s members account for 85% of all music sold in the UK. <abbr title=\"British Recorded Music Industry\">BPI<\/abbr> organises the <abbr title=\"British Record Industry Trust\">BRIT<\/abbr> Awards show and the Classic <abbr title=\"British Record Industry Trust\">BRIT<\/abbr> Awards show from which substantial proceeds go to the <abbr title=\"British Record Industry Trust\">BRIT<\/abbr> Trust \u2013 the <abbr title=\"British Recorded Music Industry\">BPI<\/abbr>\u2019s charitable arm \u2013 which has donated almost \u00a320 million to charitable causes nationwide since its foundation in 1989.<\/li>\n<\/ol>\n<p>For cleared and approved images go to <a rel=\"external\" href=\"https:\/\/www.dropbox.com\/sh\/iuozjpatxj0vp1a\/AADD71yNInF8xFgIw9Y2EcMPa\">artist images<\/a><\/p>\n<p>Enquiries about the Music Export Growth Scheme:<\/p>\n<ul>\n<li>\n<abbr title=\"British Recorded Music Industry\">BPI<\/abbr>: Debi Blackgrove, <a href=\"mailto:musicexportscheme@bpi.co.uk\">musicexportscheme@bpi.co.uk<\/a>\n<\/li>\n<li>For more details go to <a rel=\"external\" href=\"http:\/\/www.bpi.co.uk\/export-scheme.aspx\">Music Export Growth Scheme<\/a>\n<\/li>\n<\/ul>\n<p>Media enquiries:<\/p>\n<ul>\n<li>\n<abbr title=\"British Recorded Music Industry\">BPI<\/abbr>: Lynne McDowell, Head of PR, <a href=\"mailto:lynne.mcdowell@bpi.co.uk\">lynne.mcdowell@bpi.co.uk<\/a> \/ 07763 619709<\/li>\n<li>\n<abbr title=\"UK Trade and Investment\">UKTI<\/abbr>: Daniel Harris, <a href=\"mailto:daniel.harris@bis.gsi.gov.uk\">daniel.harris@bis.gsi.gov.uk<\/a> \/ 020 7215 6407 or 020 7215 3505 (out of hours enquiries)<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>British music companies are to receive government funding to support the promotion of the nation\u2019s music around the world.<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"_links":{"self":[{"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/46117"}],"collection":[{"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=46117"}],"version-history":[{"count":0,"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/46117\/revisions"}],"wp:attachment":[{"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=46117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=46117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mostafa.openonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=46117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}